视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。鸭寮街是香港的缩影，随着香港经济起落，它亦经历过由欣欣向荣的黄金年代，沦为二手货交易市场的命运。 金融风暴前，戴少良的高级音响专门店是鸭寮街内最大的一家，其好友成大志因投机坐拥过千万的身家；金融风暴后，少良生意大不如前，大志亦沦为负资产。唯独二人好友关炳仁脚踏实地，不受影响。三人虽背景回异，但交情甚笃，热爱足球，三人组成的球队，在区内更被冠以「鸭记风尘三侠」的称号。 国际名导演卫家明女友卓琳为电影美指，为电影到鸭寮街搜集资料。她遇上少良，发现他一直怀缅过去的原因，原来少良七年前曾与歌影红星卓宁有一段七日情缘。自此，少良认定那段时期是他人生最风光的时刻，事业、爱情皆得意。虽事隔多年，并未与时并进。。
