视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。一位普通，无能的教师突然有一天从天上掉了一个10亿元的馅饼，就是为黑社会老大的独生女儿当课外辅导老师，前提是如果孩子出问题，他也没有命。 我们每个人经历的第一个大学就是学校，学校是世界的缩小版，也是为各自的目的战斗的地方。在这里我们遇到了不同的人，相互学习，相互竞争，相互讨厌，相互喜欢。 有时快乐，有时会想忘却一切，但共同点就是我们在从中成长起来的事实。和成年人的社会一样，在那里也有看不见的阶级，规则，以及战争，但是当我们瞬间抛弃这一切的时候，我们就变成了朋友。 随着时间的流逝，我们也许会忘记教科书上的内容，但是书上没有的故事却留在了我们的记忆中。。只有被選上的人才能操縱的「案山子」，據說是神的分身而受人祭祀。就在此時，東京這個大都市竟然陸續出現離奇死亡案件!!究竟是人類所為？還是…。
